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The History Of Salsa
Salsa Dancing – The music originated from
Cuba in the early 1930's. Its roots come
from various African rhythms and the
traditional Cuban music "Son". There are
many different styles of salsa dance that
are influenced by their respective regions.
What makes the salsa dance unique is its
ability to absorb the many steps and turns
from other dances such as the mambo, cumbia,
hustle, swing, jazz, and other local dances.
Uniting the all styles of salsa despite
these differences is an underlying rhythmic
frame established by the clave, a pair of
smooth wooden cylindrical blocks. The salsa
beat is formed when they are banged together
enthusiastically in a sinuous 1-2-3 phrase.
Everyone who dances salsa obeys the beat of
the clave. As the famous veteran conga
player Joe Cuba once said, "the Clave makes
the world go round."
Since its birth, this Afro-Cuban rhythm has
traveled throughout Latin America with major
influences coming from both Puerto Rico and
Colombia. Salsa was later brought to the
United States with the Latino immigration to
big cities such as New York, Miami, and Los
Angeles. With its sensual style and flashy
turns, it is crossing cultural barriers and
sweeping the nation from coast to coast.
The History Of Salsa Music
The roots of salsa music come from
traditional Cuban music such as el Son, la
Rumba, el Guaguanco and el Mambo. Musicians
began to mix these music styles into one
during the early 1950s. This new style of
music traveled to the New York City from
Cuba and Puerto Rico as Latinos began to
migrate in search of a better life. Upscale
nightclubs and dancehalls, such as "The
Palladium", started to appear around Spanish
Harlem and cater to New York City's Latino
immigrants.
In the early 1960s, Fania Records began and
commercialized this new style they dubbed
"Salsa". Salsa quickly became popular among
the dancers and local bands started
switching their music styles. The pioneers
of this new music immerged during this era
such as Eddie and Charlie Palmieri, Johnny
Pacheco, Ray Barretto, Celia Cruz, and the
legendary Tito Puente.
Fania Records peaked in the 1970s by the
success of salsa artists such as Cheo
Feliciano, Ruben Blades, Hector Lavoe, Joe
Cuba, Willie Colon, Frankie Ruiz, and El
Gran Combo. During this time, Fania Records
set up huge concerts in Madison Square
Gardens featuring the best artists.
In the early 1980s, salsa music began to
change as top artists swayed from the
fast-tempo mambo beat to a slower rhythm.
They called this new style, "Salsa
Romantica". Artists such as Lalo Rodriguez,
Ray de la Paz, "El Canario" Jose Alberto,
Eddie Santiago, and Oscar De Leon led this
new trend. The mid-1980s marked a dark
period for salsa artists. Merengue, with its
upbeat rhythm, started to become the norm
and clubs began to play more of this music
from the Dominican Republic. Local bands
turned away from salsa and were forced to
play more merengue in order to find work.
The 1990s marked a revival for salsa music.
A new record label, RMM, began promoting a
new energetic brand of salsa utilizing the
elements of the original sound based on the
mambo. Other artists such as the Buena Vista
Social Club, Africando, and the Afro-Cuban
All-Stars also started a revival of salsa
from the original Cuban styles. New artists
began to immerge and their innovated styles
brought back the passion of salsa to the
dancers. Artists such as Marc Anthony,
India, Fruko, Los Van Van, Grupo Niche,
Jerry Rivera, Victor Manuelle, Michael
Stuart, and Dark Latin Groove pushed salsa
back to popularity where it is today.
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